WREXHAM SYMPHONY ORCHESTRA

 

Nige F. Hughes – Trombone

 

Nige took up the trombone back in October 1981 after earlier dabbling with other instruments such as the piano and violin.

 

His main musical education and experience were offered by the Clwyd Local Education Authority’s peripatetic music service and his progress led to playing with the Clwyd and North Wales Youth Orchestras from March 1984 and April 1986 respectively.  He also successfully auditioned for the National Youth Orchestra of Wales in April 1989 with whom he played for two seasons for the late Arthur Davison CBE.

 

Whilst in his final year at Newcastle University in September 1990, Nige suddenly lost his sight in one eye.  This initially did not cause any problems, nor concerns as he still maintained full sight in the other eye.  Unfortunately, in the December of 1990, he also lost the sight in his other eye, and being able to recognise only light and dark, was left almost totally blind.

           

Despite this setback, Nige was determined to attend the North Wales Youth Orchestra course in April 1991, by learning the musical manuscript through whatever means possible.  His friend Mark Lansom (violin/viola/conductor) and the NWYO’s conductor Malcolm Binney tried several methods of transferring the music to other media, such as Braille music and magnifying the music by several times its original size.  Unfortunately Nige found all of these methods impossible and sadly was forced to pull out of the course.

 

Nige then concentrated all his time and effort on revising for his final examinations, and as a newly blinded student with no Braille or computer skills, he found it an extremely difficult and arduous task.  However with support from the university, the Royal National Institute of the Blind and of course his many university friends and his family, Nige successfully achieved his goal and graduated in June 1991 with a BSc (Hons) degree in Mathematics.

 

Although Nige left university with a good science degree under his belt, unfortunately as he had no written communication skills, he was technically unemployable. He therefore needed to spend 3 months from February 1992 at an RNIB centre in Torquay.  The centre introduced him to skills such as Braille and word processing, along with helping him become familiar with the ever-developing access technology available for the blind.  Nige joked, “If there’s a good time to go blind, it’s now!”.  He did not however appreciate their offer of teaching him skills such as basket weaving.

 

Nige had some time on his hands between ending his course at Torquay in April 1992 and commencing an Information Technology City & Guilds course at the RNIB’s Vocational College in Loughborough in the following October.

 

It was at this time when Mark’s late father Andrew (flute), the then conductor of the WSO, suggested that Nige take part in their next concert in July 1992. Initially the plan was for Nige to play only in Beethoven’s Symphony No 6 (Pastorale) and he would learn the music from a cassette tape.  This cassette was put together by Mark, who sang the Trombone 2 part over a CD recording of the piece.  Mark supported this by providing detailed explanations of the various passages, clarification of individual notes, tempi, and general musicality.

 

Nige found that he had learned the piece relatively quickly and there was time to learn something else too.  Eventually he learned the Trombone II parts for the concert’s entire program, including Mozart’s Cosi Fan Tuti overture.

 

The cassette tape method of learning his parts proved to be very successful, and Mark and Nige continue to use it to this day, including for tonight’s concerto.  Mark and Nige both believe that this method is in fact a much more musical way of learning than sighted people playing from a printed part, as by definition, the player is forced to listen to what is happening musically around them.  Ironically, nobody thought of the cassette tape idea 18 months earlier in time for the NWYO course.

 

Nige usually finds that he can learn a part in a short time, sometimes in as little as half an hour, depending on the piece, and he has been known to carry two different orchestral concert programmes in his memory at the same time.  For very short pieces, Mark has sent Nige the information in sound files across the internet instead of recording onto a cassette tape.  This has also proved successful, and with the ever improving web/pc technology, methods such as this are more likely to be utilised in the future.

 

Word soon got around that Nige, who only months earlier was thinking of selling his trombone, was now playing in a symphony orchestra once more and he was subsequently asked back to play with the Clwyd and North Wales Youth Orchestras.

 

After completing his IT course at Loughborough, Nige began a student work placement at Marks & Spencer Financial Services in July 1993 and was offered a permanent position as a programmer in January 1994.  He continues to work for MSFS however he has progressed to Project Manager, a role which involves managing the design, build, testing and subsequent implementation of computer systems and business processes.

 

In November 1996, Nige took a change of direction in his musical career and began playing in Rabbit Foot Walker And The Kings of Rock & Soul, a 6-piece soul band.  Having never played this style of music before, he initially found it very difficult to understand the structure of the songs and the blues

chord structures, however it would only be a matter of time before he could co-write the brass arrangements.

 

Nige continues to play with Rabbit Foot Walker, now an 8-piece band, regularly playing popular soul/blues classics at local pubs and private functions. (see www.rabbitfootwalker.co.uk for further details about the band).

 

Nige has continued to play regularly with Wrexham Symphony Orchestra since 1992, attending rehearsals each Wednesday evening, previously with his guide dog, Isaac, until he complained about the din.  Nige also occasionally plays with the Wrexham-based Cambrian Philharmonic Orchestra and more diversely, is a member of the brass section supporting an Elvis Presley tribute act in Merseyside, playing venues such as the RLPS Summer Pops and the Royal Liverpool Philharmonic Hall.

 

His performance of Paul Creston’s “Fantasy for Trombone” with the WSO fulfilled one of Nige’s musical ambitions.  It was his biggest musical challenge to date and culminated in a very successful performance.

 

Another of Nige’s future musical ambitions is to attend the Canford Summer School For Music in Dorset, which traditionally includes a large number of challenging works in its annual repertoire that he would not normally have the opportunity to play. 

 

As well as playing trombone, Nige likes to spend his time travelling the world whenever and wherever possible.  In recent years he has experienced countries such as Thailand, Australia, Indonesia, Japan and Guatemala among others.

 

July 2003

 

WSO home page        Concert History         Shopping